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5th February 2005

4:19pm:

Rant on “Semi Homemade Cooking with Sandra Lee”: # 307-“Chinese”


SLop enters stage left wearing more red than Nikita Khrushchev’s wife. She is carrying a fake plant in a red box. She tells us that her girlfriend, Yusai (or something…I never was any good as spelling names of Asian descent), is having her new makeup line debut, necessitating a party. Guess she already threw one for her guy friend, Max Factor. The entire room is white with random red objects inserted anywhere she could find space. Think Yusai might resent the Red China implications? Maybe she really digs lavender. Who knows? Anyhow, Sandra promises us fantastic Chinese food, including wonton soup, pork bao buns, beef stir-fry and almond cookies. We’re also promised a “beautiful tablescape”. Sandra: “I’ll see you in the kitchen.” And then she just wanders off. Well…that was anticlimactic.

We start with wonton soup. The oil sizzles when it hits the pan. Who knew that she figured out how to turn a burner? Apparently, wonton soup is Yusai’s favorite, “much more than sweet and sour.” Jesus, woman, make her a bowl of tomato soup or perhaps some vichyssoise! She just might like the change of pace. Reminds me of that episode of “Married…With Children” where Pat Morita plays Marcy’s boss, comes over from Japan and desires anything but sushi. So what do they present him? Sushi! But I digress…

SLop displays more awkward cutting, using her knife like a paper cutter on the chicken. She tells us to get “pre-ground chicken” from the grocery store. Shouldn’t Yusai karate kick her in the face for using onion soup mix in Chinese cooking? Myself, I feel like waffling her upside the head for that hideous form-fitting, painted-on dress. What was she thinking?
Oh god, the mixture looks like something she scraped out of a spittoon. She mixes low-sodium soy sauce into her chicken broth. Since when has Ms. “Cheese Whiz In My Dinty Moore Stew” been worried about sodium?

We can find wonton wrappers either in the refrigeration or Asian sections of the supermarket. Now I’m wondering if there is an Asian refrigeration section. “Yes, can I please get half a pound of ground Filipino? Thank you.”

She fills the wonton (“Not too much meat or it’ll pop out!”—excuse me, I’ll be dry heaving now) and, GASP, figured out that using water on two sides will make it seal! This woman is a GENIUS! Quick, give her a TV show! Oh, wait…
She’s so pleased with herself that I’d like to see her get hit with a gong mallet. She cobbles her way through one and, thankfully, MV has done the rest. She dumps the whole bowl haphazardly into the stock (which she calls “soup”).
She drains canned water chestnuts and bamboo shoots into a strainer over a bowl. God, you stupid woman, if you MUST use a strainer, pour it into the sink! Your patented technique is not only pointless and stupid, it is also necessitates extra washing. Although I’d be surprised if The Wallet hasn’t bought her a live-in maid by now. She adds a bag of frozen mushrooms, carrots and snap peas. Not only are those dissimilar in cooking time, do frozen mushrooms actually exist outside of her mind?
The soup looks overcrowded and the vegetables are bigger than the wontons. Twenty bucks says she would add a couple of spoonfuls of peanut butter if her friend was Thai. She lids it up and tells us to let it simmer a few minutes. On what planet to carrots become fully thawed and appealing after 2-3 minutes in simmer stock? They take more than 2-3 minutes in the microwave! I love SLop-gistics!

The chopsticks in her hair annoy the shit out of me. The idea is just so cloying. Hopefully, in fitting irony, Yusai appears in an ugly outfit with pasties that hang down to her waist. I’d pay to see it.

We’re back, as SLop appears with a bamboo steamer. Man, when MV’s bao buns look like someone left them in the sauna too long and the dough barely looks cooked, Sandra’s are gonna be hilarious.

A bamboo steamer is a kitchen essential for Chinese food or so I’m told. SLop brings up fast food places at the mall again, noting that she has a fantastic “trick to help [us] utilize the resources at [our] own mall.” Never knew my mall’s food court was a cooking resource.

She tells us that Chinese takeout places at the mall have great barbecued pork. Then, there’s a really weird five second spot of dead silence. Either she blew her cur badly or she totally lost her place on the teleprompter. Too funny. SLop pulls out a tray with seven premade bao buns that she “already started”. Hands up if you buy that for a second. Yup, me either.
SLop sautés some scallions, then pulls out a jar of garlic. Oh, dear god! The garlic is mahogany in color. Get a new jar, woman! I’ve seen plenty of jarred garlic at the restaurant where I worked and it was always either white or light tan in color. This stuff looks like miso. That simply cannot be right.

She adds jarred ginger that looks for all the world like baby food applesauce. She then busts out the HOI-sin sauce. Methinks she put the em-PHA-sis on the wrong SYL-la-ble. Every chef here at my school calls it “hoi-SIN”. Then again, this woman got her degree at Bovine University, so I’ll let it slide.

Wow, her scallion/ginger/garlic/hoisin/oyster sauce mixture looks like road tar. I can’t imagine that was the desired result. Plus, it’s like a car crash of flavors. She makes the LAMEST attempt to chop the barbecued pork in recorded history. Just give her a plastic cafeteria knife already. At least she can’t hurt herself with that. She tells us that when she met Yusai they became fast friends and went out on dates every Sunday night after that. No, really. She said that. She mixes the pork into the sauce and it suddenly becomes the Exxon Valdez Special. Ohhhhh, my goodness.

She slaps a wad of breadstick dough on the board and cut it with a chef’s knife. Just get a damn pizza cutter! Yeesh! I used one to cut pizza dough for more than a year with NO problem!

She drops some Valdez into the dough and folds it up, thus trapping the filling. She’s doing a whole lot of filled dumplings so far, huh? She then wastes cabbage leaves just to line the bottom of the steamer. She then place the steamer in a wok with water.

Time to taste the wonton soup. Indeed, it’s overcrowded and not especially captivating. She then pours herself a big bowl to “taste” it. Uh…doesn’t she have guests coming? Man, when the vegetables are bigger than the ladle, you screwed up quite badly.

Time for another commercial.

Oh, you’re back. She claims that beef stir-fry is simple and that I MUST have it at an Asian-themed dinner. Sorry, just because you look like my grandmother doesn’t mean I want your advice.

SLop busts out a wok and…wait, let’s pause here a moment:
1.) The wok is being used on an electric stove, a very poor conductor of heat
2.) I’m sure she has no idea how to actually stir-fry something
3.) When she added the oil, it just sat there. No hissing, no sizzling, NOTHING. Granted, I’m no Martin Yan, but I’m pretty sure a wok needs to be red hot for it to be of any service in stir-frying.

Now then. She adds the meat and it finally hisses. I’m thinking there was an edit in there. As the meat (which takes “seconds” to cook) is in the wok, she finally starts her mise en place. Oy. She cuts up a red bell pepper and shows off her atrocious knife skills yet again. Something about the line “Watch your meat” makes my skin crawl and bile rise in my throat.

SLop being SLop, she opts for a prepackaged seasoning envelope. And more frozen and canned vegetables. Oh goodie. I swear, she probably has a vegetable garden where she grows cans of Green Giant. Unbelievable. The volume of vegetables is incredible, almost 6:1 over the meat. What is she thinking? We finally get a “Whoot!” after twenty dull minutes.

What’s the antonym of mouth-watering? Because that’s what this dish is. “Now, just garnish with parsley, serve it to your dog and open up some Stouffer’s for your guests. Yusai will understand. She knows that I’m hopelessly underqualified.”
We’re promised almond cookies and a tablescape ahead.

We come back to a shot of MV’s almond cookies. I think it would have been worth the price of admission if Sandra had tried to make them using Jordan almonds. “Well, Yusai, I wanted them to be colorful…like Chinese New Year!” Anywho…

She tells us that the recipe is from Yusai. Then clearly, that’s what she’ll want to eat at her celebration party. Her own halfass recipe. She is truly one of a kind and thank God for that.

Her recipe is based around a roll of refrigerated sugar cookie dough and a tablespoon of almond extract, the single most awful tasting flavoring in history. Well, except for anise. Roll the dough into little tiny balls, press an almond on top of them and bake the on 325o for a few minutes. Not only is that a vague time, it is also an unusually low temperature. She tries to sell us on the gift value of cardboard sugar cookies with cheap almond flavoring. I’m not buying that one either.

Time for the tablescape.

“Red and black are always the most romantic colors to use when serving Chinese food.” Yeah, nothing screams romantic quite like a black paper lantern. This woman is hysterical. She claims her ceiling full of cheap hanging lanterns is “dramatic”. I think it looks like a Chinese disco. (Which is a riotous visual in itself!) She reveals that she spraypainted the lanterns herself. She tagged ‘em, g. She even found fans that she’s giving away to the guests. That might be a good idea if it wasn’t: a.) blatantly stereotypical and b.) they didn’t look like oversized ping-pong paddles. She even covered a piece of plywood in cheap red fabric with calligraphy print. She also wrapped it around black napkins and asks “Aren’t they darling?” No, no, they’re not. That is not a functional napkin in the slightest.

Wait a minute, she didn’t make the drink! They showed them on the table, but I never saw her make it and my tape has the end of Paula Dean & the beginning of 30MM. Did they edit that out due to the response or something?

Final Thoughts: What an annoying, insipid episode. 2 prepackaged bread products, too many flavors in the buns and a soup that wouldn’t appeal to anyone. The Chinese Embassy should send a cease and desist letter.

What’s next week: Pearl Onion Harbor: The Tokyo Terror?
Current Mood: annoyed
Current Music: Staind-14 Shades of Grey (album)

7th December 2004

9:56pm: J-FAB: Coupling Season Four

James Fabiano: COUPLING: SEASON FOUR




Formatted & webmastered by The Heel

I know I’ve promised a look at Coupling series four for quite some time, but with work and all I haven’t been able to deliver. So I won’t need to keep you waiting for much longer, I’ve simply decided to use my favorite tactic to get a quick yet hopefully still entertaining piece of work out: by using one of my Highlights and Opinions lists. That way I can still tell you what worked/didn’t work, and what I found myself making my own witty comments about as I watched it.

First, however, for the benefit of the uninitiated, here’s a crash course on our cast of characters…


Steve Taylor (Jack Davenport)

Going out with Susan, used to go out with Jane, Jeff’s best friend. Enjoys: Mariella Frostrup, Lesbian Spank Inferno. Known to whistle under pressure. Can be indecisive. Tends to come up with long rants on various subjects.


Susan Walker (Sarah Alexander)

Possibly the closest to “normal” of the six main characters, yet collects remote controls and shagged much of Australia. Sensible, sexy, can make a guy profess his love for her with timely pauses. Known for her dinners where wackiness usually ensues. Comes from a family that is open about everything, even sex. Favorite word when cross: “ApparentLY!”


Patrick Maitland (Ben Miles)

Used to go out with Susan, but she wasn’t cheating on him cause she wasn’t faithful. That didn’t stop the legend of him and “Junior Patrick” from continuing, however. Nicknamed: “Donkey,” on account of being born a tripod. His definition of “man”: a friend he doesn’t want to sleep with. Also known for the cupboard of his love, which holds videos of every woman he’s had sex with.


Sally Harper (Kate Isitt)

Susan’s best friend, an insecure, age-obsessed beautician. Proponent of moisturizer, believer of the adage, “A woman’s breasts are a lifelong journey, the feet are the destination.” Fears funerals and old people. Steve has seen her bare bottom. Once had a nightmare about a talking penis. Was “on hand” when Patrick had a failure, yet that would prove to launch a relationship.


Jane Christie (Gina Bellman)

Steve’s ex, “didn’t accept” a breakup. Has bisexual tendencies, but that didn’t help either. Don’t feel too bad, as Jane eventually got over Steve (or did she???) Also sees herself as “bi-vegetarian,” which means occasionally saying yes to certain things, even meat. Works as a radio traffic reporter, but was briefly sacked (during which she made a failed suicide attempt by following the recommended dose of pills. Having survived that, she was inspired to become a children’s television host, but her sock puppet Jake the Snake was a little too outspoken). Is always willing to share the most interesting things about herself, including being attuned to astrology, seeing people’s inner beauty, choosing your ideal celebrity friend, and the list goes on and on.


Jeff Murdock (Richard Coyle)

Steve’s best friend and “porn buddy” (meaning he’d get Steve’s porn if anything happened to him, and vice versa). Also works at the same office as Susan, who he ALMOST had sex with, but alas, nothing came of it…because Jeff freaked out before anything could. Despite his tendency to lose his nerves and generally make a fool of himself with women, Jeff usually feels the need to pass along his wisdom, which often comes in the form of new “Jeffisms.” Examples of these include an “unflushable” (i.e. a girlfriend that won’t go away), the “Giggle Loop” (when you laugh at things that aren’t humorous), and “Captain Subtext” (a fictional superhero that says what you are really thinking). Jeff’s upbringing has also had a profound effect on him…wouldn’t yours do the same if your mother threatened you with castration for every lie? Nonetheless, Jeff did manage to land Julia, his boss, and their relationship lasted through lots and lots of kinky sex…as well as Jeff trying to pass Julia off as deceased when a lady friend came onto him!

Now, when we last left Coupling, Steve and Susan were expecting, Patrick and Sally got together, and Jane and Jeff had a memorable little chat, in which Jeff mentioned his concern over Julia’s departure to sort out her feelings for Joe, her ex who showed up when – of all times – Jeff was experiencing a “hoovering” incident, and swallowed a certain key to a certain pair of handcuffs. Likewise, Jane expressed distress at being forced to compete with God (since James, her religious broadcasting boyfriend, didn’t believe in premarital sex).

But the show’s storylines were only half of what left Coupling fans at an interesting position going into Series Four. Behind the scenes, Steven Moffat had a few monkeys on his back. First there was the failure of the American rendition of the show, which was seen for four episodes last fall on NBC and not given much of a chance to get beyond mostly second-rate versions of the original UK scripts. More directly affecting the British original, however, was the mysterious departure of Richard Coyle, whose Jeff is considered by many to be Coupling’s signature character.

Oliver Morris(Richard Mylan)


Could Moffat prove, to quote BBC America’s advertisements for the new Coupling series, that “nothing beats the original?” And could he do it on the power of the other five regulars, along with newcomer Richard Mylan?

Only one way to find out, but first, to let you know what I’m talking about here, I throw it over to BBC America’s episode descriptions:

Click here to skip straight to J-FAB’s thoughts

S4, E1: 9½ Minutes
One bar, three different points of view, the same 9½ minutes.

At the end of last season Susan (Sarah Alexander) and Steve (Jack Davenport) discovered they were pregnant, confirmed bachelor Patrick (Ben Miles) and Sally (Kate Isitt) finally admitted their true feelings for each other, and loser in love Jane (Gina Bellman) was, once again, left on her own.

But it's not all doom and gloom for Jane. After a trip to the dating agency, she has a blind date with a guy called Oliver (Richard Mylan). But is his job might be a problem.

Meanwhile, Patrick and Sally face the first problem in their relationship, and Susan attempts to talk to Steve about the imminent birth of their child. Between Alien comparisons and Steve's nervous swallowing, Susan finally understands what's going on in Steve's head and she solves the problem with one good snog.

S4, E2: Night Lines
It's late at night, and they are all on a phone call that will not die.

Revelations are coming out thick and fast. Steve is a feckless, feelingless wanker, Susan suffers from raging hormones, Sally warns of jelly midriffs, and Patrick has a pregnancy fetish. Even more troubling is that fact that Jane keeps the keys to all her ex-lovers's flats.

S4, E3: Bed Time
Since the dawn of time, men and women have been falling in love, and men have been trying to get home straight afterwards. Can fallen playboy Patrick ever find his way home from the arms of his one true love and get a decent night's sleep? Not likely.

As Patrick turns to Steve for some answers, he's not the only one looking for manly advice. Sally is having a dinner party and Jane has asked Oliver to drive her home afterwards…

S4, E4: Circus of the Epidurals
Pain-relief or natural birth? That is the latest decision facing parents-to-be, Susan and Steve.

They head to their antenatal (prenatal) class and Susan takes Sally along as back-up just in case Steve "can't cope." But Sally, who was initially flattered, soon finds herself seeking the solace of a string quartet and some back-up for herself.

Meanwhile, Steve finds himself haunted by the ghost of spanking lesbians past and Jane tries to "out-keen" Oliver.

S4, E5: The Naked Living Room
Is it possible that lifetime loser-in-love Oliver might just get somewhere with lifetime loser-in-love Jane? Can a man win the heart of a woman when his apartment is a little "un-edited"? What happens to a living room that has lost the battle with magazine nudity?

Oliver's girlfriend walked out on him more than a year ago and between the accumulation of garbage and porn, it's safe to say his apartment has seen better days. After bumping into Jane in the supermarket, Oliver finds himself in an uncomfortable dilemma when Jane asks if she can come up and have a look at his place.

S4, E6: 9½ Months
As Susan goes into labor, Steve swings into action and does his best to remain unruffled through the natural childbirth. Fortunately an old friend returns from the Greek islands for the big event. But there is something definitely different about him…

Meanwhile, Sally is troubled by a secret from Patrick's past and can't resist opening up a box labeled "Sally, don't look in this box," and Oliver and Jane try go one step further, but they keep getting interrupted.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


So we’re starting with 9 ½ Minutes, which refers to one of Steven Moffat’s brilliant takes on perspective, as we look at one period of time that would only fill 1/3 of an episode…yet we see it from the perspective of each pair of the six main characters. So things you don’t get in one scene, you’ll likely see explained in the next. Some people said that they had to rewatch this episode, but I got it and enjoyed it upon first viewing.
- So, Jane is tired of people who “aren’t desperate?” Translation: goodbye Lloyd Owen, it was nice knowing you.
- And we say an unofficial goodbye to Jeff too, as Steve converses with him over the phone. On the BBCA boards, we likened this to Hyacinth’s never-seen son Sheridan on Keeping Up Appearances, leading to a more-than-healthy usage of the term “SheriJeff” to describe this device, and wondering if it should have been used regularly to keep Jeff “around,” cause if anyone can successfully keep a character going (and funny to boot) without the character, it’s Steven. Anyhow I guess we can assume he’s following Julia (by the way, goodbye to you too, Lou Gish), but was sidetracked when he heard of the Greek island of “Lesbos” (that’s pronounced “less-boss,” people. Unfortunately no one told Jeff)
- Another bit of speculation was how Patrick, the ladies’ man, and Sally, the insecure beautician, would change being in a relationship. Well not only were they still funny, but I’d call them the MVPs of Series Four, actually. What Steven did was basic: take the Slater/Jessie dynamic from Saved By The Bell and amp it up to Coupling levels; i.e. Patrick stays cocky (in all senses of the word!), and Sally is appalled but still loves the big lug anyway. Believe me, it works in spades.
- Now that brings us to the new kid on the block, Oliver Morris. Jane’s blind date, it will turn out that he owns a sci-fi book store, “Hellmouth’s,” and he tries to be cool with the ladies, yet is all too aware of his shortcomings. As I have said before, I believe that Richard Mylan replaced Richard Coyle, Oliver did not replace Jeff. They’re both the “crazy” character, but that’s the strongest similarity. Really, when you think of it, Jeff got nervous around women, but maintained this idea that he was knowledgeable about the subject. He also embodies the things you wanted to say but were afraid to lest you make a fool of yourself. Oliver, on the other hand, does the same foolish things you might have, and there’s how you identify with him (at least I did).
- Yes, the scene where Steve mistakens Oliver for Jane’s gynecologist (as she was led to believe he was her date) and misunderstood dialogue ensues is derivative of “The Man With Two Legs” where Sally lies about her boyfriend being a surgeon (when he is actually a butcher). But it actually took me a while to remember that, probably because the gag was still that good. As was Jane’s emergency call for Susan, which was like Sally’s “Code Red” for Patrick…only, well, if you saw that take on it, it was MUCH different (pleasurable too? Maybe…;-))



“Nightlines”, which begins with something you’ll have to get used to this series: the dream sequence. This one’s pretty funny, as Steve is in front of a firing squad, in the crosshairs…of a split-legged Susan?!!? (Now that I think of it, “crosshairs” was the wrong analogy to use here)
- We also get to see Hellmouth’s, which includes a lifesized Dalek (which you’ll likely see when Doctor Who returns…WRITTEN BY STEVEN MOFFAT!)
- Oliver continues to be Jeff’s “realistic cousin,” as his own dream sequence of all his customers being of the attractive female type was perfectly feasible.
- The three-to-four-to-five-to-six-way call was great, period. Among other things, the gang discusses hormones vs. testicles, Sally’s fear of “mummy tummies,” and sex with pregnant women. And of course there was Jane’s entry into the conversation, “…and breasts!” (directed at Susan, of course, as it related to things she’d get out of the birth). Speaking of which…
- I already extolled the virtues of what I called a LOTYC earlier: Steve’s “This is NOT an American sitcom!” If you were curious about the other candidates, well that would have to be: Grace’s (Joan of Arcadia) “High musical standards do not make me intolerant”; Kid Batman’s (Justice League Unlimited) “Now THAT is a job for Superman” (reacting to Etrigan’s dirty diaper); and anything Booster Gold (again JLU) says.
- Also notable was that Susan doesn’t recognize Oliver when he’s taking the call for Tamsin (his ex, and another woman in Susan’s prenatal classes). So the dynamic is different for a while, unlike the fast friends everyone became when Jeff was around.
- Continuity time, as the Cupboard of Patrick’s Love returns when it’s implied that Jane may have slept with Patrick as well. At the time, I couldn’t tell from the copy of the episode I had whether the tape was unlabelled or just missing.



(Note: this is the first Coupling series that failed to feature Mariella Frostrup as a guest star within the first two episodes, or at all for that matter. Since she was expecting in real life, I’m surprised at this, especially given the relevance of pregnancy in these new episodes.)
- “Bedtime” gives us our second dream sequence, a Patrick and Sally of a medieval time, as Patrick’s desire to just be able to go home is manifested here and throughout the episode as the “Game of Coupling” (it’s basically chess, but subservience to Princess Sally is at stake). In her princess gear, I must say that Kate looked as lovely as ever. Likewise, Sir Patrick (of the Golden Lance)’s usual routine sent thousands of years into the past was as funny as ever, maybe even more. Again, these two ruled.
- Oh my god, now they’re both internalizing him! Steve and Patrick talk about woman’s love of cuddling, and thus come up with the imagery of them holding on like some kind of “sex octopus.”
- Oliver tripping all over himself (to 7.5 Ottman proportions) was a bit overdone. And this is the first time he takes a step into not being a total outsider, actually.
- Oliver’s sex famine leading to “permanently erect nipples”? Well that’s a twist on the embarrassing erection angle. Must also note that when he attends the dinner and needs a sweater to cover his “concealed weapons,” he ends up getting a “Bring Back Doctor Who” sweater. That’s it, Oliver is NOT a Jeff replacement. Rather he is human product placement.
- While we’re on the topic, shouldn’t have Jane been more sympathetic when Oliver was forced to turn up at the door topless? It’s not like she never showed up at a get-together minus a sufficient amount of clothing.
- You already know my love for “Susan the Happy Trotty Elf” too. Only way it was bad was for the scene that had to follow it (medieval Patrick deciding to stay because of Princess Sally’s “elf” trick). Jeff could return and it would still be anticlimactic.



"Inferno" is revisited at the beginning of “Circus of the Epidurals”, since we flash back to Steve trying to explain Lesbian Spank Inferno. Then...you guessed it…another sequence of events that occur while a person is asleep or overly imaginative. This time Steve and Susan are on a doomed flight, with Jane as flight attendant and the rest of the gang amongst the passengers. I am reminded of the Brittas Empire finale…same thing except it’s a bus and Gordon WOKE UP on it to realize the whole show was a dream. By the way, that device should have began and ended with the end of Newhart. Think about it…when Dallas did it it pissed people off, and on Brittas it was just a weak finale to a great show. Just saying.
- While the plane is obviously a figment of Steve’s subconscious, I liked the little things they included to prove that. In this daydream, even Susan shares Steve’s indecisiveness. But what clinched it was the fact that everyone’s lives were going to be saved because they found the emergency whistles (remember “My Dinner In Hell”?)
- Steve’s “no epidural” vs. Susan’s “natural birth”…I don’t recall for sure, but didn’t Edina and Saffy argue over the same thing on the newest Ab Fabs?
- The Jeff Internalization spreads, as Susan scares Sally with a series of wacky vagina/C-section analogies, giving her poor best friend a fear of knives that can only be eased with images of light and peaceful music.
- JILL’S BACK! And just in time to see Jane in maternity dress, complete with pillow tucked under. I must say, however, that I didn’t catch on to her insistence on not having to be giving birth to be pregnant, not as easily as I did with her “bi-vegetarianism,” which I think this tried to recreate. On the same note, Steve’s anti-epidural rant, while good (do you have to know how to breathe when you stub your toe?) didn’t measure up to his “naked bottoms.”
- Love how all the girls at the session knew Patrick.
- Oliver did have a good rant going, but it ended weakly with him just repeating whatever was said to him. He made up for that with his truism about “the Internet is a research tool!”



“The Naked Living Room” reminded me of something I noticed on and off throughout this series: that too often, Jane has seemed laid back compared to her usual self. She has her moments; make no mistake, but not quite the same in others (and of course, in one instance, one of her gags was transmitted through Sally). I have a theory on this later, though.
- Liked Oliver/Jane’s “Did you install your…” exchange. Even better when you consider Jane’s purchase came from the feminine aisle. Was also sweet (albeit around 0.5 on the Jeff/Jane/Perhapsx3 scale) to see Oliver and Jane bonding on his misnaming of Mrs. M(ole). Thinking back, I also just remembered their “love plants = eat them?” vs. “heterosexual man = can’t talk to women?” standoff.
- Patrick remains awesome, as he takes literally all the lines Susan says can be a misinterpretation of sex.
- And now we get the first real Oliverism: the three steps that follow when you break up with your girlfriend: 1) Your TV gets bigger; 2) Your seat is pointed face-to-face with said TV, no one gets in and no one gets out; and 3) You stop hiding your porn, resulting in a “women’s changing room leaking through another dimension.” I’d go as far as to say that Richard Mylan successfully took Richard Coyle’s routine here and made it his own.
- Now for my theory…which actually comes to a head near episode end as Oliver insinuates that maybe, just maybe, Jane * gasp * isn’t really the wild, crazy woman we all know and love, and that she embellishes a lot of that for attention. Why? Because HE is such for real (except for the “woman” part, obviously), so he’d know the genuine article. Pretty cool bit of psychology.
- Naked Jane, Patrick lying about sleeping with her (love how he was tripped up with Susan in a similar manner to him trying to dump Linda in “Jane and the Truth Snake”), and Susan’s water broke…I dunno, but that got me psyched for…



“9 ½ Months”, which did hear the pleas for Jeff to return…only not in the way you might expect. In (surprise, surprise) a dream sequence, Steve meets “Jeffina,” who has decided that when it comes to breasts, if you can’t grab ‘em, get ‘em (yet insists on Steve joining in on the former). I must say, the actress they chose was well casted, and it didn’t come off as cheesy as the usual “obviously the male in drag” approach to the female counterpart.
- “Fuckity, fuckity, fuck!” If that wasn’t the best marriage proposal acceptance in the history of television, I don’t know what is. And Sally opening Patrick’s “forbidden box” to discover the ring was for me a “holy shit” moment.
- JANE HAS A SELF PORTRAIT! JANE HAS A SELF PORTRAIT! YES! One of my favorite subtle touches of AmeriCoupling was when Lindsay Price’s Jane went through the trouble of having a life-sized painting of herself made to display in her apartment. Well Gina’s Jane was up for some serious one-upwomanship, and delivered with a NAKED life-sized painting (her knees and shins cover up the “interesting stuff” though.
- As I get to the end, I wonder…what’s with all the pilot/ground control-like dialogue in this series? Granted, it’s been there before, but it seems to set to hyperdrive (oh no, now * I’M * doing it!) now. Another sign that Steven has Doctor Who on the brain?????
- Susan and Oliver’s chemistry in the contractions scene was great (and of course, how her and Steve could get inside because Jane wouldn’t let him give back her key)
- “Oliver…Mount Jane!” Nuff said.
- Was that Jane being…reassuring to Steve as it related to Susan’s delivery??? Pretty powerful stuff…see, putting characters, um, out of character can be very effective when done right.
- Not to let her best friend have all the fun, we have Susan yelling for a “FUCKING EPIDURAL!” Hmmmm, Sarah Alexander would be one woman I’d let curse and cause me to be thrown across the room too…
- The C-section ending and all was pretty riveting, but the comedic parody took a bit out of it. And what was that supposed to be a parody of? Anyone? Anyhow…



VERDICT: Solid stuff, and anyone who says Coupling is dead, well…I have some recipes for crow to swap with you. Oliver, while needing fine-tuning, did largely get over with me from the get-go. Obviously, by concentrating on comedy and storylines, you’d expect a different Coupling, and it was. But I was entertained, it captured my attention, and that’s what counts. As I say, EM = Q (Entertains Me = Quality).

Tell James Fabiano what’s on your mind…

4th December 2004

4:08pm: Jokes That Make You Shutter
Open letter to J-FAB:
It's been, like, a year since we engaged in a fullblown picture war. And now, young man, I challenge you to another. The rules? An equal number of pictures per side. The pictures must have a logical transition (or a realllllllly forced or stretched one) to qualify. After a number to be decided upon mutually are up, an unbiased third party will score the fight. Take off the gloves and let's get it on!
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