Alicia 'Xellandria' Kilpatrick's Blurty
 
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Monday, August 16th, 2004

    Time Event
    3:28a
    Gay Marriage at Disneyland and Lost Puppies
    As much as my dream tonight was at Disneyland (I could have sworn from the layout it was Disneyworld, but we're going to say Disneyland because that's what my dream said), there was no hot monorail action. Boo ;__;

    If there was anything before the section I'm recalling here, I can't remember it. Oh well. Maybe that's where my hot monorail action was.

    There was some weird ride that involved putting everyone in one of those "moving theatres" (you know the type—they use 'em on that "Star Wars: Galaxy Tours" ride at Disney-MGM, for example) and walking around (actually more like floating around) in a FFVIII-esque Ragnarok (only sans the cool music), finding various "body parts" (when we say "body parts" we mean "Buzz Lightyear parts" =D;;) and following them in a line (across a FFVIII-esque world map) to a pencil (the "body" Oo). I had read all this in a strategy guide beforehand (as you, um... do for Disney rides? Oo), so as I was the "designated walker-aheader" (or something like that—everyone else hovered in the theatre-Ragnarok behind me as I picked up body parts and threw 'em back to the theater for people to moan at X3;;) I was finding them first =D;;

    When we got to the pencil, everyone was let out of the theatre-Ragnarok and Tim Allen's voice (it is Tim Allen what does Buzz Lightyear, non?) came floating down from a cliff that hadn't been there before and asked us to help him put himself back together.

    Then we were in this strange auditorium with a bunch of a body parts that were were supposed to put together—there was this drone announcer telling us what to do when. At some point, Alisha and I started to ignore him and instead go through our box of parts—at which point we found a whole hoarde of mini-notebooks (you know, the ones that are about 3" high?). I started going through one of them, and there were little crappy anime-doodles all over the place, and I recall saying to Alisha "aww, this looks like it could be one of my old notebooks~" (except looking back on it now, there were much too many notes in it in comparison to the number of doodles), and I was going through it still when I come across... =O What a shock! A little picture of old!Karra's head with "Karra" written in Quinnealisisicilian. Shock!! So Alisha and I start laughing, and I'm laughing so hard I'm crying, and my mom comes over and says my foot finally gave out, huh? (Oo Damn you mental state, my foot is mostly-healed, stop talking about it >O), but I tell her no and show her the notebook (she doesn't believe me -_-;), and the "ride" ends and we all file out and go our merry ways, lalala. I lose Alisha in the crowd and start looking for her* by going back into the auditorium area where we had been and sneaking into the woman's bathroom (Oo; Since when have I had to SNEAK into the women's bathroom?) and start looking for her—I see/hear a bunch of other people from 'Tino I would much rather have never seen or heard from again (mostly the cheerleaders), but no Alisha. The bathroom has gotten huge by this point (as Disney bathrooms have a strange tendency to do), and the ceiling is at least twenty, twenty-five feet high (up to fifty—I'm not really good at measuring heights like that ^^;), and there were beds and showers and massage areas and it was just generally very large.

    Felicia and someone else (I don't know who) came up from behind me and Felicia asked me (in that joking way you do) if I wanted to marry her. I said "sure, but I have to find Alisha". She took me by the arm and started dragging me out to a Tower of Terror-meets-IMAX Theatre at Great America-esque building, apparently wanting to get married on top of that =D;

    I managed to get away from her and head back across the railroad tracks (there were railroad tracks halfway up the hill we'd gone up to get to the base of the building, you see =D), where I met up with... Rachel and Yuliya, I believe, wherein we got to talking about designing a train paint job for Disney and sticking a very hidden Aslua logo on it (since any blatant logo-sticking we might have done would have gotten noticed and taken off because Disney can't advertise things that aren't theirs and only theirs. Obviously.) and then getting into what the contract for such a thing would entail, and what rights to the Aslua logo we might accidentally be giving Disney by doing so, and what if they DID find it and decided that we hadn't done it intentionally and thus used it as a logo for something they were doing, and I said I had to consult the Legal Guide for the Visual Artist for such things, and as this apparently didn't exist in my dream world, I woke up from the reality of it all X);;

    Current Mood: ditzy
    Current Music: Sting - After The Rain Has Fallen

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