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La Boheme is the greatest love story ever sung. So I was told. Got to watch Philippine Opera Company's rehearsal of La Boheme yesterday evening, courtesy of Lorna Lopez. She and Karla Gutierrezinvited bloggers to watch yesterday's rehearsal and in return, we getto post our reviews and reactions. Sounds like a pretty good publicitydeal, haha. We were told that the run would begin at 8pm, but I arrived prettyearly to hang out in the lobby. Good thing for that, because I foundSundee and Santi, and they told me that the run would begin at 6pm.Immediately joined them in the house a few moments before the curtainrose to begin the first act. Of course, it didn't really help that Sundee was sitting next to me and kept commenting and comparing each scene to a scene in Rent,harharhar. Santi was pretty much quiet, simply saying at the beginningof the show that he doesn't understand the entire Italian libretto andadmitted that he hasn't seen Rent. Anyway, with the direction of Floy Quintos and music by the PhilippinePhilharmonic Orchestra under the baton of international conductor HelenQuach, this version takes us to modern-day Manila, instead of the usual19th-century Paris. The first act takes place in a penthouse owned by 4friends--Marcello, Rodolfo, Colline and Schaunard. Of course, if youknew the entire story of Rent,you'd know that these 4 people could also be Mark, Roger, Collins, andAngel, respectively. Anyway, I actually loved how the set was designed.It really showed the condition of the penthouse, right on up to theroof. A projector from behind the scrim projected an image of a Manilaskyline, complete with the moon and clouds moving from time to time.When another character, Benoit, comes in, Rentheads would automaticallyassume that it's Benny, and yes, he's there to collect the rent. Tocompare this to the musical, I actually liked how the four friendsfirst welcomed Benoit, letting him drink beer/wine (that Schaunard hadbrought in earlier in the act) before throwing him out without payingthe rent. Of course, when Marcello, Colline and Schaunard go out and leaveRodolfo in the apartment, sure enough, Mimi enters the scene with acandle. Sir Floy had mentioned that this situation is very familiar toPinoys, considering we still have blackouts and he even joked thatwe're most likely the only country that still uses candles, hahaha! On to Act 2, which seems to take place in some public marketplace. Iassumed that it was a nightspot somewhere in Malate. Harold, who was inthat scene along with the huge chorus, had said later that the scenewas along Manila Bay. Close enough, hehe. One thing that upset me inthis act is that there were too many people. The place was too crowdedand it felt like the crowd was pouring out of the stage. Given that, wecould hardly find the lead characters in the scene because there wastoo much going on. Well, what did help a little was that the entirechorus was in black in white, leaving the lead cast decked in theircolorful costumes and highlighted by follow-spots. Yet, the crowd wasreally too distracting. Maybe if they moved a little slower, it couldhelp highlight the actors. The third act was Sir Floy's favorite act, according to him. I did,too, haha. Taking place in an abandoned carnival where prostitutes and tambays hang out, the scene/act was about love that you can't live with andcan't live without. I love the quartet of Mimi, Rodolfo, Musetta (yep,you got it--Maureen) and Marcello. One couple reconciles, while theother quarrels. As the scene progressed, I remember Bobby oncementioning that in musical theater, time is warped. Even though this isan opera, I do believe this is a pretty good example, because Rodolfoand Mimi bid each other farewell for the entire second half of the act. We return to the penthouse for the 4th act. Again, Sundee inputs thatthis is the part where Collins manages to break into an ATM withAngel's help near the end of Rent,because Colline and Schaunard enter once again with food. Of course,that was before Rodolfo and Marcello lament over their lost loves. Asthe four friends goof around, there we go, Musetta enters with an illMimi. This is where Sundee keeps complaining as to why Rodolfo and Mimi aresmiling, when everyone knows that the latter is dying. Harold sort-ofpaitently explains that maybe they were remembering something goodbetween them in the past, which is exactly what I was also thinking.Goes to show that you should do more research, Sundee, haha. You saidthat you've been listening to this opera since you were still in theNavy. Anyway, this doesn't have an ideal ending as opposed to Rent,because Mimi actually dies. I do believe that the last words in thisopera was Mimi's name, cried out by Rodolfo. And after she dies, ourattention is suddenly turned to the backdrop, as all of the billboardsin the skyline had changed to photos of the actress/singer playing Mimi. One thing I have to say, I love how opera singers can project theirvoice. All throughout the run, I overheard Santi and Lorna, on separateoccasions, say that since what we had seen was just a run, they stilldon't have their lapel microphones on. But upon hearing those voices,who needs them? I already knew that they won't be using any mics, andthey're performing in the CCP Main Theater. Huwaw. May this be a goodexample to actors who get too dependent on their microphones, hahaha. Iremember Miss Tess endlessly getting us to project inside the LittleTheater during our acting workshop. Considering that this is only a run-through, the orchestra was stoppedseveral times by Helen Quach. Haha, so it's not perfect yet, but I haveto applaud everyone who was involved in this production, especially SirFloy. Thanks to you, Sir, for taking the time to talk to us right afterthe run.
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