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http://www.karenmillendressesmartuk.comIt rewinds. A few weeks ago, workers of ArcelorMittal déboulaient regularly in newspapers in 20 hours and in the presidential campaign to challenge the candidates after stopping Florange site in Moselle. And this Tuesday, May 22, is a century of history of the steel which runs on Arte, the time it took to get to this:karen millen saleif you want to see a blast furnace heated French, backfiring, spitting fire and sparks, leaving only the archival footage.
"Men of Iron", two-part documentary Anais Olivier and Spiro, opens to the early twentieth century:karen millen outletthe steel triumph, the ironmasters set up their power. The steel which made locomotives, bridges, the Eiffel tower and cannons ensures the fortunes of industrial dynasties in Germany and France - Krupp in the Ruhr,karen millen dressesLorraine Wendel, Schneider Creusot ...
Demonstrate their heirs, karen millen outlet propped up in the sofa. The retired workers tell, leaning on a kitchen table. The former CEO remembers, sitting in an office. All lived in a world where housing estates were spread around plants erect like cathedrals. The first describes a paternalistic system: the daughter of Charles Schneider remembers seeing some of the inhabitants of Le Creusot kneel on the path of the hearse of his father's grandchildren Krupp ensure that "everything was done for the welfare the company, the family was after. " The second talk of working conditions - "We had no gloves," "He was busted at the neck with a pincer bar of molten steel, we burned our fingers". The third more or less coldly analyze the changes in the industry: "You had to work with fewer and fewer hands, that out of this steel saga, karen millen sale it was still not a drama, and they persuade those who remained still had a future, "said Francis Mer, former CEO of Usinor. "The redeployment is extremely poignant and extremely challenging," said Jean Gandois, former head of Sacilor and Sollac.
Because, imperceptibly, the black and white images of smoking factories and houses neat succeeding ones, in color, protests against the social, in the 1970s and 1980s. Faced with new competition, the European steel industry began a race for productivity lost in advance. A former worker Schneider summarizes: "The boss set a goal were reached: hey, that's it, we won 50 rounds per tonne. No pot during that time, competition has reached a point below ... "
The factories are rusting in the landscape, karen millen dresses the story seems complete. Appears the last frame of the documentary, which looks suspiciously like those of the early shows and ill-equipped men sweating in a furnace. But it is in color because it was shot in twenty-first century in India. It rewinds.
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